It was inevitable, I suppose, that Doctor Who would have to deal with President Donald Trump. He casts too long a shadow over 21st century life to ignore. Way back when talking about Aliens of London, I suggested that the way the show deals with world leaders is to show the real ones onscreen, unless you want to kill them, in which case you invent new ones you can ice without controversy.
Back in The Sounds of Drums, we got a George W Bush substitute who was zapped at the earliest opportunity. Arachnids in the UK does something new – it gives us a stand-in president but lets him live. More than that, it gives him a moment of triumph, which feels uncomfortable and unusual for a show which would normally sanction such a character.
The stunt Trump presented here is Jack Roberston (Chris Noth). The similarities are clear to see: American hotel magnate and celebrity, bombastic and petulant. They stop short of having him lech onto every woman in sight and having him take a phone call from a Russian operative, but we get the idea. He’s also a potential presidential candidate in 2020, which is a little confusing. He doesn’t seem like a Democrat so perhaps he is proposing to challenge Trump for the Republican nomination? Perhaps it’s a reflection of the antipathy towards Trump within the GOP establishment. Anyway, The West Wing it ‘aint.
Robertson’s a broad brush stroke portrait of an unscrupulous businessman, a familiar adversary for the Doctor for years. With his brash, obnoxious style, his closest cousin is Henry Van Statten from 2005’s Dalek. Back then, the mainstream fear being reflected was of a Bill Gates types controlling the government and replacing the President whenever the whim took him. If only it were that easy (actually, here in Australia it kind of is. We go through Prime Ministers like socks. There’s been three since randomwhoness started and we’re just about to get another). In the Trump era, we no longer worry so much about big business pulling the strings of power. The President generates enough concern on his own.
Robertson, however, represents something more than a Trump-lite style parody. He’s a stereotypical alpha personality who’s firmly on the side of “might is right.” He’s in favour of shooting his way out of his new spider infested hotel and when the Doctor (Jodie Whittaker) insists on finding a less violent way out of the problem, his lack of ability to understand someone who isn’t pro-gun borders on the unhinged. “What’s wrong with you people?” he exasperates. “What is wrong with this country? Why don’t you do what normal people do? Get a gun, shoot things, like a civilised person.”
He’s a caricature, sure, but his hoplophilia becomes pivotal at the story’s end. When faced with the giant mother spider, the Doctor’s preferred solution is to lure it outside the hotel with the help of some homemade insecticide (I don’t know what the plan is then. Let it roam Sheffield freely? Hope it catches a train home?). When she and helpful spider exposition provider Dr Jade McIntrye (the terrifically named Tanya Fear) discover that the spider is going to die anyway because it has grown too large to live without suffocating, Robertson arrives to shoot it dead. Bang bang, problem solved. The Doctor is appalled and we as the audience, are meant to side with the Doctor’s moral view to treat all living creatures with dignity. Even if that means letting the spider die slowly and painfully, as opposed to Robertson’s short, shooty solution.
Like so many of the stories in Series 11, Arachnids in the UK presents a simple but problematic moral. There’s a view to take here that Robertson’s solution is actually more humane than the Doctor’s, and simply expedites something which was going to happen anyway. That’s not an unreasonable conclusion to draw, but there’s more going on here than just a debate about whether euthanasia by gun is acceptable. Robertson’s decision to shoot the spider may be defensible, but it also shows how empty his philosophy of brute force is.
Because Robertson doesn’t shoot the spider to save it from an agonising death. He doesn’t even do it to save himself and the Doctor and the other five supporting characters present from agonising deaths. He does it to make himself feel better and to return to him the illusion of being in control. Robertson’s reaction to the spiders has been panic, followed by self-preservation and finally justification of his company’s dodgy operating procedures which has led to the growth of the spiders in the first place. For him, the gun is a surefire solution to any problem, including the reassertion of his masculinity. That’s what sets his solution apart from the Doctor’s, which comes from a place of compassion. And who knows, the Doctor may have eventually decided to euthanise the spider too. But she would have done it with the creature’s welfare in mind, not her own.
The episode’s apparent misstep is to let Roberston walk away without any consequences. There’s no final comeuppance here for the Doctor to deliver. Think of how she once turned the tables on UK Prime Minister Harriet Jones after she blasted the Sycorax; there’s no Doctorly punishment rolled out here. And the fact that Robertson gets to walk out scot-free does make the Doctor come off as powerless against this man who wields power like a weapon. It’s a real kick in the teeth. It feels like in the adventure where the Doctor met Trump, Trump won.
My hope is that this is leading somewhere. That Robertson will return to the series someday (you’d hang on to a star as big as Noth as long as you could, right?) and that the Doctor will get her revenge. Perhaps she’ll sabotage his campaign in 2020. Perhaps she’ll email a server load of incriminating documents to the FBI. Or perhaps she’ll transport him back to that panic room full of hungry spiders and leave him there.
But on second thoughts… that only rids us of Trump-lite and leaves us with the real thing! In this sense, maybe “Doctor Who deals with Trump” was always doomed to be depressingly impotent.
LINK TO The Romans: Hmm, how about powerful, egocentric men (Nero and Robertson) delivering each story’s climax instead of the Doctor?
NEXT TIME: Up, up and away with The Return of Doctor Mysterio.
If anything it appears that Not-Trump has a benefit from the Doctor, who jokes about burning down the hotel and claiming insurance money. I have a feeling that he will be returning
Don’t forget about all those spiders that the Doctor… leaves to suffocate to death in the panic room.
That was… maybe not the best solution. And this seems like a miscalculated episode, to me.
Didn’t they also leave one in that apartment? Hm.
I imagine Yaz’s Mum goes home and has the whole building sprayed within an inch of its life!
I think it’s fun, but it does have an air of “we could have thought this through better.”
For me this is where s11 fell off a cliff after the three glorious opening episodes: the series thereafter seemed to emphasize the Doctor’s moral impotency in the face of greater forces (historical, commercial etc.) which seemed to reduce the character’s inherent authority. The lack of strong aliens or villians plus a general lack of character development for the TARDIS ‘fam’ didn’t help either. I hope for better from series 12.
It’s a difficult style of Doctor Who, for sure. The moral impotence and lack of authority… you articulate that well. They may or may not be problematic, but they are certainly taking some getting used to. We’ll see if they get reiterated or reversed in s12.
I adore the comedy and the family stuff in this episode, as well as the suggestion that capitalism (or at least Trump) is built on a pile of festering garbage. Wonderful. So far, so RTD.
But I’m so dispirited by the failure to do anything with any of this — the big spider just dies, we try not to think about any of the other ones, and Robertson just wanders off. The ending is really just a massive letdown.